Prem Nazir in MT Vasudevan Nair’s “Asuravithu” (Malayalam, 1968)

The Kochi edition of The Hindu recently carried an interesting piece on “Asuravithu”, a Malayalam film that was released in 1968, in their Blast From The Past column (click here to read that story). “Asuravithu” featured Prem Nazir and Sharada, and was directed by A Vincent. The film was scripted by the famous Malayalam author MT Vasudevan Nair, a Jnanapith awardee for his overall contribution to Malayalam literature. Interestingly, MT Vasudevan Nair has also won four National Awards for Best Screenplay, which continues to be the most by anyone for that category. The film “Asuravithu” is based on his novel of the same name.

“Asuravithu” is set in an Indian village in the 1960s and revolves around the life of Govindankutty, played by Prem Nazir, the youngest son of a proud Nair tharavadu (joint family). Prem Nazir is considered to be one of the all-time superstars of Malayalam cinema and the breadth of his filmography is astonishing. He is said to have played the lead protagonist in over 600 films. He has acted with over 80 heroines and acted in 107 movies with just one heroine (Sheela). He is a recipient of both Padma Bhushan and Padma Shri awards.

The film also had some lovely folk melodies tuned by K Raghavan, of which our favourite is the song “Kunnathoru Kaavundu.” Do check it out!

The First Kannada Talkie: “Sathi Sulochana” (1934)

Keeping in line with our focus on the regional cinemas of Southern India, we at TCRC bring to you a piece published by The Hindu in 2004, where historian Randor Guy writes about the first ever Kannada talkie film, “Sathi Sulochana.” It was released in 1934 and featured Rattihalli Nagendra Rao and MV Subbiah, who were popular theatre artists at that time. The film was directed by Yaragudipati Varada Rao, who cast himself in  an important role in the movie. YV Rao was also the director of “Chintamani,” the record-breaking Tamil film that was released in 1937. YV Rao’s “Chintamani” was the first Tamil film to run continuously for a year and is said to have played an important role in catapulting actor-singer MK Thyagaraja Bhagavathar to stardom.

In his piece on Sathi Sulochana, Randor Guy offers some very interesting trivia about the production of the movie:

Sathi Sulochana” took two months to be completed. Shooting was done in natural sun light and by using man-made reflectors. Shooting with artificial lighting in that town was difficult. Mirrors were carried by camera-assistants on their shoulders to reflect sunlight onto the set to provide back-lighting and the men had to keep moving, shifting the mirrors to be in alignment with the moving sun! The sets had no ceiling and were covered by a white cloth.”

MV Subbiah Naidu in “Sathi Sulochana” (1934), the first Kannada talkie

We at TCRC are proud to feature such gems from our illustrious history of cinema. Please feel free to write to tcrcindia[at]gmail[dot]com with your feedback and suggestions.