TCRC presents an exclusive screening of ‘ Amma and Appa’

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TCRC is bringing the popular documentary ‘Amma and Appa’ to Chennai on the 23rd of August 2015, Sunday at Ashvita Bistro, Alwarpet. This will be the first time that the film will be screened in Tamil Nadu. The film is in Tamil and German with subtitles in English. The film makers will be present for an interaction with the audience after the screening.

About the film:

Amma & Appa (Tamil for Mother & Father) tells the story of film makers Franziska’s  and Jay’s parents. It is about their first meeting and of them getting acquainted. Both couples are about the same age and both have been married for more than thirty years. But they come from very different cultural backgrounds. Franziska’s live in the south of Germany, Jay’s parents in the south of India. They now come together because their children have fallen in love with each other and have decided to get married. For Franziska’s  parents it will be the first time they visit India and for Jay’s parents it will be the first time they receive foreigners as guests. While Franziska’s parents married out of love, the marriage of Jay’s parents was traditionally arranged. It was thus a great shock for them to learn that their son wanted to marry by his own choice. And what is more: A girl from Germany. His decision challenges their traditions and beliefs.

Against this backdrop the film unfolds its story. It tells the story of two cultures coming together and raises the universal questions what makes it all work- love, affection and living together. The film makers, as a young couple, want to know the recipe for a successful relationship from their parents and aim to find out with their  observation of the interaction of their parents toward and with each other.

Here is the trailer of the film:

The Tamil connect at The Venice International Film Festival

The 72nd Venice International Film Festival, organized by La Biennale di Venezia has some interesting line up of films. But two films have caught our special attention.

The first is Visaranai (Interrogation) directed by Vetrimaran and produced by actor Danush’s company Wunderbar Films has been selected in the Orizzonti section which is an international competition dedicated to films that represent the latest aesthetic and expressive trends in international cinema. In the history of the festival Visaranai will be the first Tamil feature film to participate in the competitive category. The director of the film, Vetrimaran has earlier made critically acclaimed films like Polladhavan and Aadukalam and was the co producer of the internationally acclaimed Tamil film  Kaaka Muttai (Crow’s egg).

The second film that caught our attention is Rinku Kalsy’s documentary  “For the love of a man” which has been selected in the Venice classics section where a selection of restored classics and documentaries on cinema will be showcased. Rinku’s film explores the phenomenal fan for Superstar Rajnikanth.

Besides the Tamil connect between Visaranai and ” For the love of a man” there is another interesting connection. Danush, the producer for Visaranai is the son in law of Rajnikanth on whom ” For the love of man” is centered around.

Watch the trailer of the two films here:

 

Short film screening by Indiearth in association with TCRC

short film screening

The next screening of short films by Indiearth in association with TCRC is happening at Ashvita Bistro,Chennai on the 28th of january 2015. Post screening, we will have a discussion on various styles and techniques involved in short film making with the filmmakers – Madhavan Palanisamy, Arun Mritunjay, Sanjeev Kumar, Madhan Kodees and Vydianathan Ramaswami who would be attending the screening.

ENTRY FREE!

SMS ” Short film ” with your name and email id to 9791088189.

The Short films to be screened are as follows:

1. FlashBack
Filmmaker: SNS Sastry
Duration: 21 min
Language: English
Year: 1974
Genre: Art

The film is a survey of the documentary film movement in India . We hear views of Films Division filmmakers S. Sukhdev and S N S Sastry before the Emergency and close to the end of their lives talking about documentary.

2. Gaarud The Spell
Filmmaker: Umesh Kulkarni
Duration: 13 min
Language: Marathi, Hindi (English Subtitles)
Year: 2008
Genre: Drama

The Spell gives us, in the form of a long tracking shot, a fascinating insight into what happens behind the doors of a block of tenements near the station in a small Indian town inhabited by people of differing backgrounds but all on the seamy side of life. Very briefly, we share their very personal lives. The camera takes us to the kitchens, the living rooms and even the toilets and the bedrooms of the inhabitants. The film won two national awards, one for best cinematography, and the other for best sound design. It received the best film award, the Golden Conch at MIFF, 2010.The film was also awarded the PATTON award for Best Indian Film at the 7th Kalpanirjhar International Short Fiction Film Festival, Kolkata.’Gaarud’ has been screened at more than 25 international film festivals, including the prestigious Rotterdam, and Vila de condo.

3. A Dream called……..America
Filmmaker: Anoop Sathyan
Duration: 26 min
Language: Hindi, English
Year: 2012
Genre: Short, Documentary

‘A Dream called America’ is a documentary made on Shahbaz, a 15 year old boy from Gujarat, India. He is the third among the five children of his father Aftab who makes a living by repairing cycles on a footpath. Shahbaz had studied in the US for a year on a scholarship, where he was hosted by an American couple. The one year he spent in US changed his attitude as he experienced a very comfortable and carefree life than his real home. After reaching India, he badly wants to go back and settle in US, leaving his parents in a dilemma.

Trailer & info: http://www.anoopsathyan.com/

Awards
– Best student film, Mumbai International Film Festival, India 2012
– Best documentary film, 4th International Children Film Festival – Lucknow, India 2012
– Silver award for Best student documentary, Indian Documentary Producers’ Association(IDPA) 2011
– Silver Owl for best documentary, CUT.IN Film Festival, Tata Institute of Social Sciences, Mumbai 2011

Official Selection
– Jeevika: Asia Livelihood Documentary Festival 2011 – NewDelhi, India
– Open St. Petersburg Student Film Festival ‘Beginning’ 2011 – Russia
– CHAGRIN Documentary Film Fest 2011 – USA
– OAXACA International Film Fest 2011 – Mexico
– Mumbai International Film Festival 2012 – India
– Al Jazeera International Documentary Film Fest 2012 – Qatar
– Globians DOC FEST 2012 – Germany

4. Hangover
Filmmaker: Vydianathan Ramaswami
Duration: 4 min
Language: English, Tamil (English subtitles)
Year: 2005
Genre: Current Affairs

This short film deals with the flip side of college festivals in terms of excess inflow of sponsorship revenue leaving behind a trail of unwarranted usage of plastic and other environmentally hazardous waste.

5. Karma Vinai
Filmmaker: Madhan Kodees
Duration: 12 min
Language: Tamil (English subs)
Year: 2014
Genre: Social Message

Two drunk friends meet a couple while passing through a bus stop at mid night. they drop them at bus stand, driver doesn’t care who are they as he was busy drinking while driving. when he sees both when they get down he gets disturbed.

http://www.indiearth.com/ViewTrailer.aspx?TrailerID=b10fd7dc-3d4a-40a9-9dbf-e1f5fae447f9

6. At the End of 20th Week
Filmmaker: Sanjeev Kumar Choragudi
Duration: 3 min
Language: English
Year: 2014
Genre: Social Message

‘At the End of 20th Week’ is a short film aimed at social awareness about Abortions and Female Infanticide. It portrays the pain of unborn female children. Our intention was not to get applauded or acclaimed by critics. Our intention was to take the veil of discrimination off the faces of people those who prefer sons over a daughters and who doesn’t accept life as a gift but choose to end it because it took a female form.

A beautiful young girl who is peacefully enjoying the warmth and love from an unknown person gets tortured by also another unknown person in different ways. The girl cannot escape the wrath and stays there suffering. The bed which she assumed as a safe place suddenly turns into an Inferno. The person who shared the love and warmth is no more protecting her. She dies in the end and then we identify that it’s not just another girl but she is the representation of a female fetus. And all the different methods are nothing but methods of Abortion. In the end the young girl being pulled out of the bed symbolizes the delivery method of taking a baby out of the womb. She is killed and then we see the statement “Hell begins for women in India ‘At the End of 20th Week’” It is at the end of 20th week one can identify the gender of the foetus. In most of the cases it can be easily identified at the end of 13th week which on the other hand depends on the position of the fetus. Hence the title was decided as 20th week because irrespective of the position of foetus.

7. River Drowning Horses
Filmmaker: Madhavan Palanisamy
Duration: 3 min
Language: English
Year: 2013
Genre: Art

This film blends elements of fashion and theatre to narrate a complex-relationship situation.


Indie Film Screenings by Indiearth in association with TCRC in Chennai

Indiearth

 

Indiearth and TCRC brings an Evening of Short Films:
A collection of freshly picked award winning films from the Films Division that speak of the various interesting nuances of short film making and documentary cinema; generating profound interest in captive audiences who are either new or seasoned non-mainstream film buffs.

Also included are 2 latest shorts by upcoming filmmakers of today. The screening will be followed up by a discussion led by IndiEarth on “Why short films and documentaries are important; to be made and screened to audiences”.

THROUGH A LENS STARKLY
Kuldeep Sinha
Genre: Arts, Cinema
Year: 1992
Duration: 33 minutes
Language: English

During the 100 years of cinema in India, the documentary films have acheived a tremendous growth and Film Division has played a major role in the movement of documentary films in India. The film details the systematic growth of documentary filmmaking.

YES WE MAKE THEM SHORT
Baba Mazgavkar
Genre: Mass Communication Media, Cinema
Year: 1990
Duration: 13 minutes
Language: English

A film emphasising the importance of short films which generallyare not seen by the general audience. Short films can also beinterestingly made. It is through short films that cinema has undergone various innovations and experiments.

INDIA THROUGH THE LOOKING GLASS
Siddharth Kak
Genre: Arts, Cinema
Year: 1990
Duration: 33 minutes
Language: English

Here is a history of the Indian documentary film – from thecoming of cinema to India at the turn of the century to its present development. Excerpts of numerous documentaries areincluded. This is was the opening film at the Bombay International Film Festival

ALFIYA
Satyarth Shaurya Singh
Genre: Shorts, Social Awareness
Year: 2014
Duration: 15 minutes
Language: English, Hindi (English Subtitles)

This is a film that explores a single day in the life of it’s protagonist, Alfiya. The film follows an indefinite progression: an oscillation between the social world and the inner life. Alfiya, a young girl in her twenties, grapples with blurred lines of perception which as likely stem from a ‘ delusional disorder’, or a phobia, to an unshakable dream state.

SILENT NIGHT
Rajdip Ray
Genre: Short, Social Awareness
Year: 2014
Duration: 3 minutes
Language: English

Christmas is the season of joy and giving. But amidst all the happiness and brightly coloured lights are the hidden pangs faced by more than 11 million street children in the largest democracy of the world. Silent Night takes the viewer on a trip around the streets of Calcutta, with one such child, on Christmas eve.

Screening of Anand Patwardhan’s films at Tate Modern.

Renowned Indian documentary film maker, Anand Patwardhan’s film will be screened at Tate Modern, London from July 12th to 28th.

Anand Patwardhan

“Rarely viewed in Britain, the films of Anand Patwardhan represent one of the most important achievements in documentary cinema. This season brings contemporary audiences into contact with an astonishing body of work whose profound commitment to radical change offers an experience like few others in contemporary cinema. This comprehensive retrospective, the first to be devoted to the major works of Patwardhan in London, devotes long overdue attention to a giant of cinema whose films inaugurated the independent documentary moment in India in the mid-1970s.”

To know more: Click Here

The Madras Film Industry in the 1960s: On the sets of “Thillaanaa Mohanambal” in a French documentary!

Today, we bring to you a clip from “L’inde Fantôme” (Phantom India), a documentary film made by Academy Award-winning French filmmaker Louis Malle. This is an excerpt from “Choses Vues A Madras,” which was the second episode of the documentary. Focusing on the Madras film industry in the late 1960s, the excerpt features footage shot on the sets of the 1968-released, classic Tamil film “Thillaanaa Mohanambal,” starring Sivaji Ganesan, Padmini, Balaiah, Manorama and others. Directed by AP Nagarajan and written by Kothamangalam Subbu, the film and its songs continue to be remembered even today.

What we found most interesting was the commentary in French (you can turn on the English subtitles by clicking on the “Captions” button in the bottom bar on the YouTube video). The commentator, at one point, refers to Sivaji Ganesan as the “Indian Belmondo.” “Belmondo” here is a reference to Jean Paul Belmondo, the French actor who was a prominent face in the New Wave films that were made in France in the 1960s. He continues to be remembered for his portrayal of the character Michel Poiccard in Jean Luc Godard’s extremely influential film “Breathless” (“À bout de souffle” in French). “Breathless” was a path-breaking film that inspired many filmmakers through its brilliant use of the jump cut. So, while the comparison to Belmondo is flattering, it’s important to remember that Sivaji Ganesan had made his mark with “Parasakthi” in 1952, a good eight years before Belmondo broke out with “Breathless” (1960).

Jean Paul Belmondo in "Breathless" | Sivaji Ganesan in "Thillaanaa Mohanambal"

Jean Paul Belmondo in “Breathless”   |    Sivaji Ganesan in “Thillaanaa Mohanambal”

Do watch the clip and let us know about your thoughts on Louis Malle’s commentary and his take on Indian films. You can leave a comment or write to us at tcrc.india[at]gmail[dot]com.

Kamal Hassan, The Singer: “Paneer Pushpangale” in “Aval Appadithan” (Tamil, 1978)

We at TCRC have a large number of still photographs shot during the production of various films that have been made by Tamil filmmakers across the years. We are in the process of digitizing, sorting and cataloguing them. One of the films for which most of this work has been completed is C Rudhraiya’s “Aval Appadithan” starring Kamal Hassan, Rajnikanth, Sripriya and Saritha. In fact, the header image that you see at the top of this page is a production photograph from “Aval Appadithan,” which was released in 1978.

Kamal Hassan in "Aval Appadithan" | Tamil | 1978

Kamal Hassan in “Aval Appadithan” | Tamil | 1978

The movie, praised by many for being far ahead of its times in terms of both treatment and technique, had numerous English dialogues and frequently employed jump cuts (two or more shots taken from only slightly different angles being placed sequentially, so as to communicate the passing of time in an abrupt manner). Shot in black and white, “Aval Appadithan” had only three songs, all of which were composed by Ilaiyaraaja.

One of the songs, titled “Paneer Pushpangale,” was written by Gangai Amaren and was sung by Kamal Hassan himself. Now, we’re used to Kamal singing his own songs. But it’s quite refreshing to hear Kamal croon a ‘Raaja Sir’ (as Ilaiyaraaja is known in the Tamil film industry) number from that era. In fact, when we heard the song for first time, we couldn’t even identify Kamal’s voice. Check it for yourself. Here is “Paneer Pushpangale” from “Aval Appadithan”: