Filmy Ripples – Exotic Instruments in Film music – Part 4

By P.V. Gopalakrishnan

In this concluding part on the above caption, we would strive to feature & discuss about some more of the exotic musical instruments used in our film music.

Trumpet is another popular wind instrument to form a part of the Brass Section of an orchestra, which has been in use in Indian films for a long time.

MSV-TKR has used Trumpet bits in many of his compositions, notables of which include ‘Thulluvatho ilamai’, ‘Adho andha paravai pola’ & ‘Unnai onru ketpen’.

Kishore Sodha has been a reputed trumpet player in Bollywood since 1978 and had worked for composers such as R.D Burman, Kalyanji-Anandji, Bappi Lahiri, Anu Malik, Laxmikant-Pyarelal, Anand-Milind, Shankar-Ehsaan-Loy and more.  His first song on trumpet accompaniment was ‘Rote Hue Aate Hain Sab’ (Muqaddar Ka Sikandar).

The Trumpet is also used placing a ‘mute’ in its ‘bell’ portion so that the sound emanates from there in a muted form. If you hear ‘Maan kanda sorgangal’ from ‘47 Naatkal’, composed by MSV, there are notes from a muted trumpet throughout. The following video explains about a muted trumpet.

Saxophone is an amazing wind instrument, grouped again under Brass Section in Western Orchestra. It was invented in 1840 by the Belgian instrument maker Adolphe Sax, after whom it is named.

Sax, as it is called in short form, it has been used in many compositions such as ‘Unnai onru ketpen’ (Puthiya Paravai) composed by MSV-TKR, ‘Ammamma keladi thozhi’ (Karuppu panam) by MSV-TKR & ‘Vannam konda vennilave’ (Sigaram) composed & sung by SPB.

Puthiya Paravai

Song book of Puthiya Paravai with the page containing the song UNNAI ONRU KETPEN  PC: From the archives of TCRC

When we talk of Sax in film music, we cannot but mention the late Manohari Singh, a Sax wizard of Nepali  origin, who had played for leading Hindi composers in immortal songs such as ‘Gatha Rahe mera dil’ (Guide) by Sachin Dev Burman & Yeh Duniya usiki (Kashmir ki kali) by O.P.Nayyar.

Another beautiful composition of S.D.Burman featuring Sax was ‘Oh mere jeevan sathi’ from the movie ‘Guide’.

In the film ‘Duet’, A.R.Rahman had the classical sax player, Mr. Kadri Gopalnath, to play through the film. This film, in fact, popularized this instrument.

Trombone is a Brass wind Instrument, the sound of which is produced when the player’s vibrating lips cause the air column vibrate inside the instrument, having a telescoping slide mechanism that varies the length of the instrument to change the pitch.

While Trombone is usually played in Brass bands – accompanying the main theme by giving punching phrases, the potential of this instrument to perform as solo cannot be undermined.

Here is a piece on Trombone playing Michael Jackson’s ‘Thriller’.

In Indian films’ BGM scores, Trombone is usually played together with other brass instruments. They have had limited scope as a solo in the interludes of movie songs.

In songs such as ‘Ulagathil siranthathu edhu’ (Pattanathil Bhootham), ‘Atho antha paravai pola’ (Ayirathil oruvan) & ‘Kalyana naal parkka’ (Parakkum Pavai) you could hear Trombone bits. Here is the latter song in the composition of MSV-TKR.

Pattanathil Bootham

Song book of Pattanathil Bhootham with the page containing the song ULAGATHIL SIRANTHATHU ETHU PC: From the archives of TCRC

Ilaya Raja’s ‘Ennamma Kannu’ too had Trombone predominantly.

Oud is a short-necked, pear-shaped multi-stringed musical instrument belonging to Lute family, used in Middle Eastern & North African music.

You can rarely hear Oud in Tamil film music.  Ilayaraja’s ‘Matha un kovilil’ from ‘Achani’ (1978) had distinct Oud usage along with Bells in its BGM. Another good usage could be spotted in the A.R.Rahman composed song from ‘Ravanan’

Achani

Song book of Achani with the page containing the song MATHA UN KOVILIL PC: From the archives of TCRC

Maraca is a rhythm instrument of Mexican origin used in Latin American & Rumba music. It is a humble instrument originally made out of gourd shell.

We can spot the rhythmic sounds of Maraca in many film songs if we very carefully listen, but often it gets submerged in the BGM in most of the songs. Here we have selected a Hindi song, ‘Mujhe duniya wale’ by Mohd. Rafi from the film ‘Leader’ (1964) in the music composition of Naushad Ali, where one can make out the ‘chik-chik’ notes raised by Maraca in rhythmic pattern.

Mexican Scratcher is another humble but exotic rhythmic instrument used in Latin American music & Salsa.

R.D.Burman was the pioneering Music Composer to use it in Indian film music when he used it in the poular song ‘Samne wali kidki pe’ from ‘Padosan’. It features very prominently in the song when Keshto Mukherji enacts with a broom, in the early part of the song.

Another exotic but humble instrument called ‘Elathalam’ is a Clash Cymbal used in Temple Music in Kerala. It is a pair of heavy brass cymbals played with one held firmly & the other clashed with it rhythmically.

A.R.Rahman has creatively used it in the song, “Narumugaiye” in the movie ‘Iruvar’. You can hear this bit in the said song when the visual of the hero & heroine appear in the waterfalls sequence.

In our 5th & concluding part of ‘Exotic Instruments in Film music’ next week, we would look at few more of the instruments used in film music.

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Filmy Ripples- Exotic Instruments in Film music – Part 3

By P.V. Gopalakrishnan

In this third part on exotic music instruments used in film music in India, we would see few more instruments in this write up.

An unique instrument you used to hear in some songs was ‘Clip Clop’ which essentially had a pair of coconut shells, racing horse-shoe sound when used against a wooden block. In many songs this provided rhythm to the song mimicking the sound by a galloping horse. Listen to ‘Azhagukkum Malarukkum’ from Nenjam Marappathillai in the composition of MSV-TKR.

Then we have the African Drum known as Conga, a tall standing single-headed drum from Cuba, traditionally used in Afro-Cuban genres & Latin music. The film music has routinely used this percussion, to give examples “Vellai pura onru” (Pudhu Kavithai), & “Paadava unthan padalai” (Naan paadum padal), both by Ilayaraja.

Double Bass, an uprightly held huge instrument resembling a giant violin, is played either with a bow or just by plucking the strings. In old Tamil songs these were routinely deployed providing backdrop rhythms as you get to hear in songs such as ‘Envazhvil pudu pathai’ (Bagyalakshmi), ‘Kannale pesi pesi’ (Adutha veettu Penn), ‘Rock n Roll’ (Pathi Bakthi),  ‘Padatha pattellam’ (Veera Thirumagan). But you cant hear this instrument distinctly unless you have a quality speaker set to base amplification. However, Double Bass usage in Tamil film music became rare on the advent of the modern Base Guitar.

‘Ek Tara’ (literally meaning ‘Sole string’ is a rhythm instrument, that used to be carried by sadhus to accompany their renderings, but also used in film music. You can catch the plucking sounds of Ek Tara in ‘Pachai maram onru’ (Ramu), & ‘Kasikku pogum sanyasi’ (Chandrodayam), both by MSV-TKR.

Ramu

Song book of Ramu with the page containing the song PACHAI MARAM ONRU PC: From the archives of TCRC

 

Harmonica (mouth organ) used to be in some songs like ‘Kalangalil aval vasantham’ (Pava Mannippu) & ‘Pirakkum pothum azhuginraay’ (Kavalai illatha manithan), by MSV-TKR.

Their ensemble had Mr. Sadhan who used to play harmonica.

Harp is a stringed musical instrument that has a number of individual strings running at an angle to its soundboard & the strings are plucked with the fingers. The instrument had great popularity in Europe. In terms of size, while there are smaller harps which can be played on the lap, the larger harps are quite huge & heavy and rest on the floor. The usage of Harp is subtle & is not a main instrument in Tamil songs. You can get the sound bites of a Harp in the opening BGM of  ‘Kodi asainthathum’ (Parthal Pasi Theerum)  by MSV-TKR . Similarly in A.R.Rahman’s ‘Pudhu Vellai mazhai’

Paarthal Pasi Theerum

Song book of Parthal Pasi Theerum with the pages containing the song KODI ASAINTHATHUM PC: From the archives of TCRC

 

‘Gangai nadhi oram’ (Varaprasadam) is another example of Harp usage by Govardhanam.

The young Maegan Pandian is a classical Pedal Harp player & here is a video to get an idea of the instrument.

Kanjira is a hand held percussion instrument used in Carnatic Music & played with the palm and fingers of the right hand, while the left hand supports the drum. The fingertips of the left hand is used to bend the pitch by applying pressure near the outer rim.

There are very few film songs, which have used Kanjira. Two songs come to my mind when we talk of Kanjira. One is, ‘Madhar thammai’ (PeNN) in the voice of T.A.Mothi & music of R.Sudarshanam the other is ‘Jeevan ke har mod pe’ (Joota kahin ka) by R.D.Burman.

 

Morsing (aka Jaw Harp), used as a percussion in Carnatic besides in Rajasthani folk music, is also prevalent in many world cultures. It consists of a metal ring with two parallel forks which form the frame, and a metal tongue in the middle, between the forks, fixed to the ring at one end and free to vibrate at the other. It is held between teeth & played.

MSV had used in many of his compositions to name a few, ‘Ennai yaar enru’ (Palum Pazhamum), ‘Kadhal kadhal enru’ (Utharavinri Ulee Vaa).

Paalum Pazhamum

Song book of Palum Pazhamum with the page containing the song ENNAI YAAR ENRU PC: From the archives of TCRC

 

More in my next on Exotic music instruments used in Indian film music.

Filmy Ripples – Exotic Instruments in Film music – Part 2

By P.V. Gopalakrishnan

In this second part on ‘Exotic Instruments’ that have been used in our film music, we would cover some more instruments.

Mandolin, a 17th century evolved Italian instrument, with traditionally four courses of double strings, had featured prominently in almost all film music compositions till late sixties.

Among the multitude of songs using Mandolin here is the popular song ‘Neela vanna kannane’ from the film Mallika (1957), in the music of T.R.Paapa.

Mandolin used to be in most of MSV-TKR compositions, having been played by the Legend M.S.Raju. M.S.Raju was a dominant & very senior member of MSV’s orchestra as the man of many parts as he played Mandolin & Santoor besides whistling & doing konnakol.

Listen to ‘Thangathile oru kurai irunthalum’ (Bagapirivinai – 1959) in the beautiful mukhda of the song, in M.S.Raju’s Mandolin.

Bagapirivinai

Song book of Bagapirivinai with the page containing the song THANGATHILE ORU KURAI    PC: From the archives of TCRC

Santoor: is a Kashmiri instrument with seventy two strings and M.S.Raju as well as R.Visweswaran used to play Santoor for MSV.

It was Music Director Naushad, who made people to sit back & take note of this scintillating instrument in the song ‘Mere mehboob thuje’ from the film ‘Mere Mehboob’ (1963), when this instrument attracted attention of many.

The beautiful, reflective santoor used to be common in the BGM of many films, often as a gentle romantic hint in the score during the maiden romantic encounter.

Here is Santoor played by M.S.Raju in the song ‘Aaru maname aaru’ from ‘Andavan Kattalai’ (1964), in MSV-TKR composition.

You can also catch Santoor notes even in Ilayaraja’s ‘Chinna kannan azhaikkiran’ (Kavi Kuyil) in the opening BGM.

Sarangi, a bowed short-neck stringed instrument famed for its close imitation of the human voice, was rarely used in Tamil film songs. But wherever exceptionally used, they lent brilliant emotive grains to the song, as in ‘Ullathil nalla ullam’ from ‘Karnan’ (1964) in the composition of MSV-TKR. For this film MSV had brought musicians from the North.

There is an Instrument called Dilruba/Esraj, from Punjab, which sounds similar to the melancholic strains of Sarangi. The most famous exponent on Dilrupa in Tamil film industry was Dilruba Shanmugham who has played in-numerous scores for legends like MSV and Ilayaraja.

The lilting song, ‘Chinna thai aval’ from Thalapathi by Ilayaraja had Dilruba bits in it.

Sarod, a lute-like instrument from Afghanistan that rose to prominence in the Mughal courts too have featured in films, but exceptionally in Tamil films. The Sarod is highly versatile–when played quickly it can denote excitement and movement, and when plucked slowly it can touch your heart.

Here is a Tamil film song ‘Devan kovil maniyosai’ from the film ‘Mani osai’ (1963) in the music of MSV-TKR where Sarod appears twice in the song, post anthra, just after the flute.

The mesmerizing jugal bandhi between Sitar, Jaltarang and Sarod could be heard in the last portions “Madhuban Mein Radhika” (Kohinoor- 1960), composed by the legend Naushad.

Sitar, a multi-string plucked instrument that influenced the Western pop world in the 1960s (thanks to Pandit Ravi Shankar), when The Beatles and Rolling Stones adopted it. Tamil film music too has used it in songs & BGM.

Mr. Janardhan is a well known Sitar player who had played for film music too.

Sridhar’s ‘Nenjil oar Aalayam’ (1961) featured Sitar in its songs, in the composition of MSV-TKR.

Other notable songs in Tamil with Sitar notes included ‘Kettadhum koduppavane Krishna’ from Deiva Magan (1969) composed by MSV & ‘ennathan ragasiyamo’ from Idhaya Kamalam (1965) composed by K.V.Mahadevan.

Idhaya Kamalam

Song book of Idhaya Kamalam with the page containing the song ENNATHAN RAGASIYAMO PC: From the archives of TCRC

In Hindi, there are many songs featuring Sitar, one of which is the beautiful composition of Salil Chowdhri ‘Oh Sajna’ from the film Parakh.

Another classical based film song in Hindi featuring Sitar was ‘Tere bina zindagi main’ from Andhi composed by R.D.Burman.

Violin, a highly popular bowed four stringed Italian instrument with roots in 16th century Italy, has had global impact, including in orchestral performances of Indian film music, in a big way.

Violins are an integral part of film music orchestration. I’ve listed several songs that highlight its use as a solo instrument, or more commonly as part of a large orchestra seen in numerous Indian film songs.

In each cinema orchestra there will be a ‘First Violinist’ who leads the song along with the vocalist, without over powering the singer. Henry Daniels & V.S.Narasimhan were with MSV-TKR & Ilayaraja, respectively as First Violinists.

Then, of course, the cine orchestra would have a big collection of violinists.

Here are samples of how collective violin players contribute to the compositions. Here is ‘Poga poga theriyum’ from Server Sundaram where violin score has been very briskly & beautifully contrived by the music arrangers.

Shehnai, a double reeded wind instrument made out of wood with wooden flared bell at the other end, has been commonly used in Indian film music.

MSV-TKR had in their orchestra, Satyam whose delectable Shehnai notes could be heard in some of their compositions such as ‘Malai pozhuthin mayakkathile’ (Bagyalakshmi), ‘Avalukkum Thamizh enru paer’ (Panchavarnakili), “Alaya maniyin osaiyai naan’, ‘Ennai yar enru’ (Palum Pazhamum) ‘Kuthu vilakkeriya’ (Pachai Vilakku) & ‘Oru naal iravu’ (Kaviya Thalaivi).

Satyam was an asset to MSV-TKR. There was an episode when recording for Kaviya Thalaivi since MSV could not get what he wanted out of Satyam, resulting in multi takes, Satyam when he retired home after the work denied food from his wife & MSV had to call him up and cajole him!

Oboe, a double reed wood instrument like clarinet, but of treble range of musical notes, has also been used on & off in Tamil Film music.

A classic example is ‘Kanna karumai nira kanna’ from Naanum Oru Penn, in the composition of Sudarsanam in which oboe features.

Flute, an ancient instrument comes in different octaves as well as different pipe construction such as bamboo, metal etc. The traditional bamboo flutes of different sruthis (tonal variations) along with Piccolo Flutes (used in Symphonies) & Shakuhachi (Japanese Flutes) have been associated with pastoral compositions in Indian films.

MSV-TKR had an important orchestra member in Nanjundappa, the flautist. Listen to one of his chirpy works in the very beautifully composed melody ‘Indha manrathil oadi varum’ (Policekaran Magal).

In ‘Chingari Koi Bhadke’ – Amar Prem, composed by R.D.Burman, one can hear the rich & moving notes of a Bansuri flute of bamboo make usually used to signify a tragic or devotional flavours, transporting the listener to a different world.

Who can forget the beautiful flute piece in ‘Chinna kannan azhaikkiran’ (Kavi Kuyil) composed by Ilayaraja, as it seamlessly takes over from the Santoor bit & vioilin serande in the song.

‘Naan manthoppil’ by L.R.Easwari in the film ‘Enga veettu pillai’ (1965) features the shrill Picollo flute which has very high registry.

There are innumerable Tamil film songs embodying delectable flute notes, which are very pleasurable to listen but it would be impractical to mention all of them.

We will continue discussing more of the exotic musical instruments used in our films in our next posting too.

 

Filmy Ripples- Exotic Instruments in Film music – Part 1

By P.V. Gopalakrishnan

If you have found yourself listening to old Tamil film music and felt like you attain absolute ecstasy from the mosaic of sounds that the blend of various musical instruments produced, pleasing your eardrums, we know exactly how you felt!

From traditional Indian instruments to the exotic instruments from various parts of the globe, the music composers of Tamil screen composed their lilting music. In fact, by virtue of music composers like A. R. Rahman having become a global player, such globalization in music has brought some very exotic musical instruments such as Balalaika, Cajon, Harpejji etc to our door step.

The track record of Tamil film music goes much beyond the music directors & playback artistes who literally lived them. The immaculate talents of extremely talented musicians, who never were known to the listeners at large, deserved the credit of the lively compositions we cherish even to-date. The fruits of their creativity is an ever lasting a gift to the current & future generations of music-lovers.

In order that we appreciate those highly talented music makers of the Tamil screen, we must know about the various musical instruments they used in their breezy compositions, under the direction of music directors.

Here in this Article, we will have a ringside view of the various musical cine-orchestral music instruments along with links to videos and songs wherein these were used, particularly in Tamil films till the early seventies. However, we will eschew Accordion since we have already devoted a special Article on that.

Univox organ:

In old Tamil films the organs used to produce musical notes similar to the mighty church organs. Since then the organs have gone through a long history of evolving & development resulting in today’s one-man orchestra provided by the modern electronic keyboards.

Listen to ‘Ennai alum Mary matha’ by P.Leela from Missiyamma (1955), in the composition of veteran S. Rajeswara Rao, where the beginning music is of the organ.

 Bagpipes:

These are wind instruments using enclosed reeds, fed from a ‘bag’, which acts as the reservoir of air. The player keeps pumping air orally into the ‘bag’ as he plays. So, the difference between any wind instrument & bagpipe is that unlike the other wind instruments which are blown into with air directly from the player’s lungs, bagpipes receive air first into its bag from where it goes to the pipes. Though Bagpipe is predominantly seen as a Scottish instrument, bagpipes have been played for over a millennium throughout other large parts of the West.

I have not come across a bagpipe being used in any Tamil film songs. Though someone said, it has been used by K.V.Mahadevan in the song ‘Thottu vida thottuvida thodarum’, on a careful listening, I find, the bits resembling Bagpipes are in fact produced by the Organ of those times known as Univox.

As far as my information goes, Bagpipes were used only in the Raj Kapoor film Sangam (Music by Shankar Jaikishen) in the song ‘Bol Radha Bol Sangam’.

Banjo:

A plucked stringed instrument, which originated in Africa & got adopted in the country music of USA.  Banjo had not been very widely used in Tamil film music but there are specific songs where this has been used. For instance, MSV-TKR had used Banjo in few of their compositions & the one we have here for citing is ‘Ennathan nadakkum nadakkattume’, from ‘Pana Thottam’ (1963), where the string instrument you hear is a Banjo.

Ennathan nadakkum(Panathottam)

Song book of Pana Thottam with the page containing the song ENNATHAN NADAKKUM NADAKATTUME    PC: From the archives of TCRC

Bongos:

These are Afro-Cuban percussion instruments consisting of a pair of small, open bottomed drums of different sizes & played by fingers & palm.

Indian films till the sixties used this percussion instrument very frequently in the compositions. In fact instruments such as Accordion, Bongos & Mandolin ruled the roost In Tamil film compositions prior to seventies but became slowly extinct as there was a paradigm shift to the music genre & compositions. MSV-TKR had used Bongos in very many memorable songs. Ganesh (of Shankar-Ganesh Duo) who was a formidable member of MSV’s orchestra played Bongos.

Some of the songs using Bongos for percussion that deeply rooted in my mind include ‘Ullam enbathu aamai’, ‘Pesuvathu kiliya’, ‘Poga poga theriyum’ & ‘Silai eduthan oru sinna ponnukku’.

Here is ‘Pesuvathu kiliya’ from Deiva Thai, composed by MSV-TKR with the Bongo beats.

In ‘Silai eduthan oru china pennukku’ (Server Sundaram) too you get to hear percussion beats of Bongos.

Silai eduthan(Server Sundaram)

Song book of Server Sundaram with the page containing the song SILAI EDUTHAN ORU CHINNA PENNUKKU     PC: From the archives of TCRC

 Castanets:

 These are rhythmic percussion instrument comprising of a pair of concave shells joined on one edge by a string, originating from Turkey. O.P.Nayyar had used it often in his compositions. It is a hand held instrument used to produce clicks for rhythmic accents or a ripping or rattling sound consisting of a rapid series of clicks.

Here is a Tamil composition by MSV-TKR in the song ‘Pillaikku thanthai oruvan’ from ‘ Parthal Pasi Theerum’ (1962)., where you can hear the rhythmic wooden clap sounds produced by Castanets.

You can spot castanets in few other Tamil songs too such as ‘Kelvi piranthathu anru’ (Pachai Vilakku), the music director being MSV-TKR.

Kelvi Piranthathu(Pachai Vilakku)

Song book of Pachai vilakku with the page containing the song KELVI PIRANTHATHU ANDRU     PC: From the archives of TCRC

 Cello:

It is a four stringed bass instrument originated from Italy in 17th century, looking like a giant violin (held while playing against the seated cellist and traditionally played with a horsehair bow), has been used routinely in many Tamil Film Songs. However, due to its ‘Bass’ tone structure it has a low tonal registry & may not be heard separately unless played singly in the songs.

In ‘Silar sirippar silar azhuvar’ song from ‘Pava Mannippu’ (1960), composed ny MSV-TKR you can hear Cello.

In ‘Enge nimmadhi’ song  (‘Puthiya Paravai’ – 1963) too, one can distinctly hear Cello in the opening music just prior to the vocal of TMS.

Guitar:

A typically six stringed instrument with European roots with a multitude of incarnations from acoustic to electric, has featured commonly in many film songs.

Tamil Cinema has had amazing Guitarists such as Dhanraj Master, Philip, Ilayaraja, Chandrasekhar, Gangai Amaran & R.Visweswaran.  Of these, the last named late Visweswaran (husband of danseuse Chithra Visweswaran) was a close friend & college-mate of this writer. Visweswaran himself was an expert Guitarist who could play Flamenco genre music & had played for R.D.Burman.

Veteran Guitarist Philip debuted in the M.K.Radha starred Gemini produced film “Apoorva Sahodarargal’ (1949), introduced by the legendary Music Director S. Rajeswara Rao. Since that Philip had played for K.V. Mahadevan, Viswanathan – Ramamurthy, Sathyam and V. Kumar. Hindi music directors from Bombay such as Hemant Kumar, Madan Mohan, Chitragupta and Ravi wanted Philips to migrate to Mumbai. Philip, an autodidact, now in his eighties, was considered a genius. His guitar pieces were predominant in many Tamil film hits including  ‘Aha mella nada mella nada (Pudiya paravai), ‘Vannakili sonna mozhi’ (Deiva Thai), ‘Malar enra mugam onru’ (Kathalikka neramillai),  “Aval paranthu ponale’ (Paar magale paar), ‘Avalukkenna Azhagiya mugam’ (Server Sundaram), ‘Anubhavam pudumai’ (Kathalikka neramillai), ‘Aada varalaam’’ (Karuppu Panam).

In an Article by V. Balasubramanian titled “Harmony with strings” in The Hindu dated 27.4.2014, the author wrote “MSV during his heydays was a hard taskmaster who would leave no stone unturned till he gets what he wanted. During a particular recording, that started at 7 a.m, the work went on till next day morning. Philips pleaded with MSV to let him go but in vain. Finally, when it was pack up, Philips had to rush directly from the recording studio to the church where his wedding was to take place.“ This writer has had the opportunity of meeting this genius along with R.Visweswaran in early sixties.

“Ilaiya nila pozhigirathu” (Payanangal Mudivathillai) composed by Ilayaraja & rendered by SPB has ample guitar bits, played by Guitarist Chandrasekhar. As per an Interview by SPB, Ilayaraja had well over twenty retakes to get the Guitarist play those difficult Flamenco Notes to his full satisfaction. The results were obvious in the song!

We will continue discussing more of the exotic musical instruments used in our films in our next posting.